BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Counterpoints - ECPv6.17.3.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Counterpoints
X-ORIGINAL-URL:https://counterpoints.org.uk
X-WR-CALDESC:Events for Counterpoints
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20261025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20270328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20271031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260611
DTEND;VALUE=DATE:20260913
DTSTAMP:20260629T142247Z
CREATED:20260522T115031Z
LAST-MODIFIED:20260629T142247Z
UID:10000618-1781164800-1789232400@counterpoints.org.uk
SUMMARY:Floating Together: Refugee Week Co-Commission by Malak Mattar
DESCRIPTION:A new public artwork commissioned by Choose Love\, Counterpoints and the Southbank Centre.\nResponding to the Refugee Week 2026 theme of ‘courage’\, and the Choose Love and Creative Visions themes ‘unique and united’ artist Malak Mattar has created a new installation in collaboration with young people from Ukraine and Greece. The commission is a bold public artwork inviting reflection on solidarity\, community and courage. \nMalak Mattar describes Floating Together\n‘Growing up by the sea in Gaza\, summer meant long days at the beach and the excitement of new colourful swimming floats that marked our journey from childhood to adulthood. Swan and turtle-shaped floats became symbols of joy and childhood. Over time\, the meaning of the sea changed. As life under blockade became difficult\, many young people began crossing the sea in search of a better life. Some reached new shores\, while others were lost along the way. \n‘The installation reflects both memories of my childhood and the realities of displacement. Inspired by swimming floats\, the work is large\, playful and illuminated with vibrant light\, especially at night\, honouring the many refugee journeys made in darkness\, while sending a message that refugees are seen\, welcomed and cared for. \n‘The patterns featured on the floats are created in collaboration with young people from Ukraine and Greece\, alongside drawings by children from Gaza\, expressing family life\, flowers\, dreams\, love and unity.’ \nThe installation is part of the Southbank Centre’s Riverside Sessions. \n  \nAbout Malak Mattar\nMalak Mattar (b. Gaza Strip) is a multidisciplinary Palestinian artist whose work is rooted in personal and collective experiences under occupation and siege. She began painting as a teenager\, using art as a form of survival and resistance. Her work has been exhibited internationally and is held in private and public collections\, including the British Museum. Mattar is also the Artistic Director of the Together for Palestine Concert and the author of the bestselling children’s book Sitti’s Bird. \nPhoto by Hossam Fazulla
URL:https://counterpoints.org.uk/event/floating-together/
LOCATION:Riverside Terrace\, Southbank Centre SE1 8XX\, SE1 8XX\, United Kingdom
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://counterpoints.org.uk/wp-content/uploads/2026/05/P1011707.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260620
DTEND;VALUE=DATE:20260901
DTSTAMP:20260708T153258Z
CREATED:20260522T145536Z
LAST-MODIFIED:20260708T153258Z
UID:10000619-1781913600-1788220799@counterpoints.org.uk
SUMMARY:One Song @ Art House
DESCRIPTION:One Song is an audio-visual installation and community project by artist Kadir Karababa that explores how music carries memory\, identity and a sense of home across borders.\nFirst begun in 2024\, the project is an evolving archive of songs and stories developed with women who have personal experience of migration or seeking sanctuary. \nBuilt through participation and shared experience\, this iteration was developed with members of the Wakefield community. Each participant is invited to share a song that takes them back to the place they first called home. These songs form the foundation of the work\, bringing together individual memories into a wider collective portrait. \nThe project is inspired by the artist’s own family history of migration from Eastern Turkey to London\, and an interest in how songs are carried across borders while remaining rooted in the places they were first sung. \nThese songs are deeply personal\, connected to family\, language and everyday life\, and often carried across time and distance. For many\, singing becomes a way of reconnecting with places and experiences that are no longer physically present. \nPresented together\, One Song creates a shared space of listening. Each voice remains distinct\, while common themes of movement\, belonging\, loss and connection begin to emerge. \nRead more on The Art House website. \nOne Song was originally commissioned by Counterpoints Arts. This iteration has been supported by Arts Council England and Counterpoints Arts. To view the archive of songs that make up One Song and to read more about work visit The One Song website
URL:https://counterpoints.org.uk/event/one-song-art-house/
LOCATION:The Art House\, Drury Lane\, Wakefield\, WF1 2TE\, United Kingdom
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/webp:https://counterpoints.org.uk/wp-content/uploads/2026/05/one-song.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260716T190000
DTEND;TZID=Europe/London:20260716T200000
DTSTAMP:20260709T073714Z
CREATED:20260708T170933Z
LAST-MODIFIED:20260709T073714Z
UID:10000626-1784228400-1784232000@counterpoints.org.uk
SUMMARY:Fozia Ismail In Conversation
DESCRIPTION:Join artist Fozia Ismail for the opening conversation of A Song for the Xeedho – the Knot Makers.\nBOOK HERE\nFozia will introduce the ideas\, histories and questions that shape the installation\, from Somali nomadic heritage and women’s craft traditions to climate grief\, migration and memory. \nTaking the xeedho – a woven vessel made for Somali wedding ceremonies – as a starting point\, the conversation will explore how objects can hold stories of land\, movement\, care and loss. In conversation with journalist Precious Adesina\, Fozia will reflect on the making of the work\, the knot as both material and metaphor\, and what it means to honour forms of knowledge carried through family\, oral tradition and embodied practice. \nA Song for the Xeedho – the Knot Makers is co-commissioned by Counterpoints Arts and Whitechapel Gallery. \n  \nAbout Fozia Ismail\nFozia Ismail is a British Somali artist\, founder of Arawelo Eats and co-founder of dhaqan collective. Her practice moves across food\, sound\, textiles and found objects to create works exploring migration\, climate\, identity and diasporic memory. \nRooted in Somali nomadic feminist pedagogy\, her work approaches everyday cultural practices as living archives of care\, knowledge and survival. Through collective acts of listening\, eating\, weaving and making\, she reframes domestic and communal space as sites of shared authorship. Central to her practice are inherited materials and objects connected to her mother’s Somali nomadic roots – vessels\, spices\, textiles\, cassette tapes and sound recordings\, which she transforms into sculptural\, time-based and archival works. \nIsmail has exhibited internationally at the British Textile Biennale\, Southbank Centre\, Biennale Architettura Venice\, Weltmuseum Wien\, Playable Cities\, Osaka and Jodhpur Art Week. \n\n  \nAbout Precious Adesina\nPrecious Adesina is a London-based freelance writer\, presenter and moderator. Her work explores the intersections of the arts\, culture\, lifestyle\, and social politics\, often centring on underrepresented artists and overlooked perspectives in the UK and internationally. \nFormerly a journalist at The Telegraph\, she now regularly writes for leading outlets including The New York Times\, BBC Culture\, The Guardian\, Financial Times\, CNN\, The Economist\, and The Art Newspaper\, among others. Adesina has been invited to speak at institutions such as Whitechapel Gallery\, the Barbican Centre\, Nottingham Contemporary\, and University College London\, her alma mater. \nAcross both her journalism and public engagements\, she consistently highlights how the arts reflect\, challenge\, and reshape today’s social and cultural landscape. \n  \nBOOK HERE \nCamel Milk Cultures event\, Wellcome Collection. Photograph by David Sandison/Wellcome.
URL:https://counterpoints.org.uk/event/fozia-ismail-in-conversation/
LOCATION:Whitechapel Gallery\, 77-82 Whitechapel High St\, London\, E1 7QX\, United Kingdom
CATEGORIES:Sound Art,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://counterpoints.org.uk/wp-content/uploads/2026/07/Copy-of-Fozia-Ismail-Camel-Milk-Cultures-Welcomme-Collection.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260717T110000
DTEND;TZID=Europe/London:20260717T120000
DTSTAMP:20260709T105225Z
CREATED:20260709T104413Z
LAST-MODIFIED:20260709T105225Z
UID:10000629-1784286000-1784289600@counterpoints.org.uk
SUMMARY:Backyard Biennial: East — Guided Tour
DESCRIPTION:A special networking event for invited artists and producers to view the Whitechapel Backyard Biennial and to learn more about the works and the production and curation process.\n\nDate: 17th July 2026\, starting at 11am. \nThis networking event is part of an ongoing collaboration between Counterpoints and Original Projects\, an arts organisation based in Great Yarmouth with whom we first collaborated as part of Platforma 2025. \nThe event will be part of artist and curator exchange visits between the two organisations. \nFor more information contact tom@counterpoints.org.uk. \nRead more about Backyard Biennial: East at Whitechapel Gallery here. \nPhotograph by Mohammed Moharm
URL:https://counterpoints.org.uk/event/backyard-biennial-guided-tour/
LOCATION:Whitechapel Gallery\, 77-82 Whitechapel High St\, London\, E1 7QX\, United Kingdom
CATEGORIES:Learning,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://counterpoints.org.uk/wp-content/uploads/2026/07/DSC02230.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260730T183000
DTEND;TZID=Europe/London:20260730T200000
DTSTAMP:20260720T120202Z
CREATED:20260709T081340Z
LAST-MODIFIED:20260720T120202Z
UID:10000628-1785436200-1785441600@counterpoints.org.uk
SUMMARY:To Re-Cite: What Do We Inherit Through Sound?
DESCRIPTION:Join artist Aliaskar Abarkas and curator\, researcher and writer\, Mariam Elnozahy\, and musician and architect Mhamad Safa as they expand on themes from To Re-Cite\, Aliaskar’s project exploring sound\, music\, and listening through faith and collective experience. \nBOOK HERE\nThe conversation will expand on themes emerging from Abarkas’ workshops\, reflecting on how sonic practices – from recitation and prayer to breath\, rhythm\, and silence – shape spiritual\, emotional\, and communal life. Beginning with the Qur’anic verse Ayat al-Kursi\, whispered across generations and transmitted as both lullaby and sonic protection\, the project considers how sound moves through memory\, ritual\, architecture\, and collective experience.  \nFull details of the event\, including confirmed speakers\, will be announced at a later date. \nTo Re-Cite is co-commissioned by Counterpoints Arts and Whitechapel Gallery for Backyard Biennial. \n\nAbout Aliaskar Abarkas\n\nAliaskar Abarkas is an Iranian artist based in London. \nRooted in alternative and communal art education\, his practice stages choreographic encounters that move from individual elements into collective expression. Often in dialogue with historical sources\, Abarkas builds collaborative frameworks that invite participants to interpret and activate inherited scores through music\, exhibition\, and performance-making. \nHe is currently an Associate Artist at Sadler’s Wells / Rose Choreographic School (London\, 2024–26) and Lead Artist at Autograph Gallery (Acts of Solidarity\, in partnership with All Change\, London\, 2025–28). He holds a BA in Visual Cultures from the University of Tehran and an MA in the Theory of Contemporary Art and Politics from Goldsmiths\, University of London. Previous residencies include Cubitt Gallery and the Swiss Church (London)\, as well as Rupert (Lithuania)\, the Institute of Postnatural Studies (Madrid)\, Castro (Rome)\, Open School East\, and Syllabus V (UK)\, among others. \nHis work has been supported by institutions including the Barbican Centre\, ICA\, The Mosaic Rooms\, TACO!\, Pushkin House\, LUX (London)\, CAPC (Bordeaux)\, LOCALES (Rome)\, Scuola Piccola Zattere (Venice)\, and CIRCA. Upcoming projects include commissions and collaborations with Arts Catalyst (Sheffield)\, YDP Foundation (London)\, and the Singapore Art Museum. \n\n  \nAbout Mariam Elnozahy\nMariam Elnozahy is a curator\, researcher\, and writer. She currently serves as the Artistic Director of Konsthall C in Stockholm\, where her program “Sacred Spaces” invites artists to address questions of religion and society. Previously\, she ran exhibitions and programs at the Townhouse Gallery for Contemporary Art in Cairo and worked at Ma3azef Magazine. She has also curated exhibitions in Copenhagen\, London\, Oslo\, Uppsala\, Amsterdam\, and Jeddah and conducted workshops in Tunis and Tangiers. These programs often addressed histories of globalization\, development\, and resource extraction. She also works to support artists at various stages of conceptualization and artistic production. Her writing has been published in CURA Magazine\, Frieze Magazine\, The TLS\, Markaz Review\, Hyperallergic\, and MadaMasr. She was in residency at the Jan Van Eyck Academie in Maastricht\, NL from 2022-2023 conducting research in the archive of Royal Dutch Shell. She holds a masters degree from the Aga Khan Program for Islamic Architecture at the Massachusetts Institute of Technology. \n  \nAbout Mhamad Safa\nMhamad Safa is a London-based musician and architect whose work explores the intersection of multi-scalar spatial conditions and their sonic make-ups. He graduated from the Centre for Research Architecture at Goldsmiths\, University of London\, in 2019 and received his PhD from the University of Westminster in 2024. He is a Lecturer in Architecture and Media Studies at the Royal College of Art in London. He also lectures in Sound Arts at the London College of Communication. His sound work was featured at the Renaissance Society in Chicago\, the Sharjah Architecture Triennial\, the Bergen Assembly\, the Goethe-Institut\, Kunsthalle Basel\, and the Institute of Contemporary Arts. \n  \n\nBOOK HERE \n\nIMAGE: Exhibition Catalogue: Woven Air: The Muslin and Kantha Tradition of Bangladesh\, 1988\, Whitechapel Gallery. Courtesy of the Whitechapel Gallery Archive
URL:https://counterpoints.org.uk/event/to-re-cite-what-do-we-inherit-through-sound/
LOCATION:Whitechapel Gallery\, 77-82 Whitechapel High St\, London\, E1 7QX\, United Kingdom
CATEGORIES:Sound Art,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://counterpoints.org.uk/wp-content/uploads/2026/07/1988_Woven-Air_001-1170x655-1.jpg
END:VEVENT
END:VCALENDAR